Friday, November 29, 2019

Public vs private sppech free essay sample

Throughout life we express ourselves through words. The way we present ourselves through speech says a lot about our character. The way one speaks to others can Jeopardize the amount of respect and trust others have for them. From the way one pronounces a word to their posture can affect the way an audience interprets what is being said. Personally, I am not confident with my speaking skills at this point. I would like my audience to fully comprehend the concepts or facts that I would present to them.In order to do so I must Improve my speaking skills I believe that a problem most people, including myself, have when giving speeches is facing an audience. Just looking out to an audience oaf mere ten could get your knees knocking. I know it is important not to let your audience know that you are nervous because this could easily make them doubt what you are about to say. We will write a custom essay sample on Public vs private sppech or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page It Is Impossible to speak at ease without knowing what you are talking about.I guess the only way to ease this overwhelming anxiety when stepping up to the podium would be through thorough preparation. Sometimes when we get up to the podium we feel that the spotlight upon us is just so unbearable that we tend to rush through our speeches. I know that this problem has to get back to my seat. This is definitely a speech flaw that has to be touched up for How can my audience comprehend a concept I am trying to get across to them if my speech might as well be in a foreign language?The whole point of a speech is to get message across to an audience or a group of people. If you speed through a speech and just mumble, you are not only wasting your own time but your audiences as well. When giving a speech it is handy to have a list of key concepts with you that you want to get cross to your audience. Writing out your whole speech will not do. Writing out your full speech may cause you to have your head buried in your notes for your entire presentation.As a high school student you can get away with this, but in the real world no one will trust you unless you look them in the eye when talking to them. I must admit that it is very hard for me to look at people when I am giving a speech, but it is imperative that I do so. I not only want my audience to understand what I am trying to say to them, but I want them to believe me as well. Also, when you dont face your audience they tend to lose interest and start conversations or activities of their own.In order to gain the trust and respect of your audience, it is absolutely necessary to look them in the eye when speaking to them. Boring to hear a speech that is given in a monotonous voice without any variety in their tone. Speaking in monotone puts your audience to sleep. This can happen to anyone who is reading their speech word for word. It has happened to me, and before I knew it my speech was over and my applause was nothing close to enthusiastic.You cannot expect your audience to be interested in your topic if you sound as if youre not interested in it yourself. I have to emphasize again that these kinds of situations can be avoided by thorough preparation and lots of practice. My behavior when others are speaking depends entirely on the speakers themselves. If he/she is not excited about what they have to say, I wont be either. Usually I try my best to give speakers the same respect I wish to receive, but as I stated earlier, my respect for what they have to say depends entirely on the presentation of beech.This semester, in Personal and Public Speech, I would like to improve my speaking skills. I would like to be confident when speaking in front of an audience, I would like to receive the respect of my peers for what I have to say, I would like to learn how to overcome anxiety and its effects on my speech when speaking in front of a large this class is very important and pertains to future obstacles when entering the work force. I am really looking forward to building up my confidence and improving my speaking skills in this class.

Monday, November 25, 2019

Developing the Under Developed essays

Developing the Under Developed essays The desolate and scorched soil of a vast empire that once ruled lay wasted in the dim morning sun. This is symbolic of a newly developed nation that grew at a pace that the environment could not stand. Human life in future generations depends on the judgement of the civilizations prior to the existing generation. Historical research points to many reasons why developing nations should conserve not expend their resources. Three areas of analysis that solve this dilemma are the obligation to later generations (religious), governmental obligations (political), and the harms caused by developing fully (religiouspolitical). One must also consider the repercussions caused by each decision on not only the existing generations but the generations that follow as well. The first area of analysis is the obligation to the later generations. All the creatures born or awaiting birth have a right to live in the world with peace. (doc. 4) One can not be so vain as to state that one human is any better than another is, therefore when once a human destroys a resource beyond recovery than that individual is denying the rights of everyone that follows. It is an injustice to deny the God given right to live in peaceful and undisturbed world. Denying the earth as a living object, some ecologists fail to realize the true repercussions that could and will plague the earth if resources are expended by the current nation and not left for the next. (doc. 16) The Egyptian people believed that without the Nile then their civilization would die. Their logic was that if the Nile dried up or was ruined in any way then the dwelling is silent and all fertility is lost. The Egyptians also believe that even the Gods would be upset if the Nile were to be tarnished becaus e it would destroy and render the fields that they created useless. (doc. 2) Giving the people dominion over animals and other creatures, God intended the people to ...

Friday, November 22, 2019

A Synthesis of Psychoanalytic Method and Cognitive Behavioral Theory Research Paper

A Synthesis of Psychoanalytic Method and Cognitive Behavioral Theory - Research Paper Example From personal experiences, it seems that counseling psychologists are most effective when they facilitate a discussion with patients, rather than interrogating them. Psychoanalysis provides the opportunity for a psychologist to guide a patient to those insights relevant to the underlying problem; however, in the act of psychoanalysis, autonomy of insights is removed from the patients and trusted to the psychoanalyst for the solution. Although CBT allows some autonomy for the patient to draw his own conclusions, it ignores the role of psychoanalytic transference, which seems to be an important issue to be addressed in a counseling session.Human NatureThe idea that patients ought to be given the autonomy to interpret their own unconscious, once it has been questioned by the counselor, is based on a view of human nature as metaphysically free. With a free will, human beings are not bound by the rules and laws set forth by their unconscious; in fact, people have the inherent power to cha nge the subconscious conclusions and philosophies that affect their emotional livelihood. However, the status of thoughts and cognitions in the unconscious leaves them inaccessible to the patient by his own devices. For that reason, he needs an active intervention from the counselor, which is a defining feature of cognitive behavioral therapy. On this second premise, human nature is also seen as fundamentally social: that, in order to resolve their psychological difficulties, human beings must seek.

Wednesday, November 20, 2019

The Balance Scorecard (BSC) in practice- the factors affecting the Essay

The Balance Scorecard (BSC) in practice- the factors affecting the successful implementation of a BSC - Essay Example Norton and Robert S. Kaplan (Punniyamoorthy & Murali, 2008). Balance Scorecard helps in implementing the organizational strategies in terms of actionable plan and make it a thorough continual process by providing a comprehensive road map of how to effectively carry out strategy, including the alignment and mobilization of the management team and other employees (Punniyamoorthy & Murali, 2008). According to Harvard Business Review, the Balance Scorecard is one of the most influential management ideas of the past 75 years (Palladium, n.d.). Today, many large, medium-sized and even small organizations use the Balance Scorecard as a performance measurement system, but usually small and medium-size companies fail to successfully implement that. This happens generally due to the gap between their strategies and vision. This paper is based on the concept of Balance Scorecard. The essay starts with the introduction, followed by a thorough understanding of the Balance Scorecard, with the significant reviews of the applicable literature, including factors that obstructs the successful execution of a Balance Scorecard. The Balance Scorecard is a tool that helps the organizations to create a link between its strategy and actions, encourages the individuals to involve in organizational planning, focuses on the critical phases of the business and take action instantly when change is required (Atkinson, 2006). It is a multidimensional tool that can be used in management, strategic and measurement systems. With its multidimensional tactics, the Balanced Scorecard integrates the performance measurement of both financial and management aspects (Punniyamoorthy & Murali, 2008). It measures the performance by focusing on four major perspectives, which includes financial stability, customer base, business operations, and learning and development. This tool gives the meaningful interpretations of the interconnections between the business processes

Monday, November 18, 2019

Hype or reality Health and wellness Essay Example | Topics and Well Written Essays - 2500 words

Hype or reality Health and wellness - Essay Example ). The fact that competition has increased, is not only because of the desires of businesses to grow larger and better but also because of the ever growing unique needs and wants of consumers. These unique needs are a result of high level of awareness amongst consumers, which in turn is because of immense media proliferation, through internet, social networking sites, television, radio, print media, telephones etc (Top Ten Trends for Healthcare & Wellness in 2012 | HealthFlock). An aware consumer comprehends his needs better, identifies what is his requirement, and marketers or on large businesses, face the challenge to get into that consumer’s mind identify his needs and come up with such a combination of products and services as to satisfy that particular segment of large target market and sustain their aggressive approach towards understanding consumer needs (Top Ten Trends for Healthcare & Wellness in 2012 | HealthFlock). ... ellness is different in a way that it almost created a new canvas for itself to inflate in the industry that was a part of cosmetic beauty and medicine industry yet very different because of the amalgamation of ideas being brought together to generate the need in the minds of consumers (Market Trends Project More Growth for Wellness Industry | Company News | Wellsource). This was not an easy task to generate a need for a product or service which has many indirect competitors coming from several other fields of life and business, besides that the product offered was not a commodity but a luxury availed by the elites of societies, who had reserves of unlimited disposable income available to them all the time. A swift transition can strengthen the base of industry. Transition of health and wellness services to be perceived as an essential commodity for personal care, from the establishment time concept of it being a luxury item made for the entertainment of elitist classes of societies. Before moving on a few fact and figures related to industry, one must not forget to mention about the logic of ‘The Wellness Guru’, Paul Zane Pilzer, in his book ‘The Next Trillion’ claims that ‘more than half of the US population is unhealthy and overweight’ because of the health and wellness industry and the exponential growth in food industry (The Wellness Revolution). According to Paul Zane Pilzers’ ‘The Wellness Revolution’ $1.5 trillion of the US economy today is emerging from the wellness sector of the nation (The Wellness Revolution), while the Guru also extrapolates these figures to generate an estimated amount of $1 trillion additional to be invested in the sector by the end of year 2010, with the motive of ensuring a healthier, prettier and long lasting fresh

Saturday, November 16, 2019

Jeff Wall Photography Philosophy

Jeff Wall Photography Philosophy The artist Jeff Wall has argued that there are two prominent myths about photography, the myth that it tells the truth, and the myth that it doesnt. Discuss Walls statement with reference to the work of any two photographers from the 20th Century. In the following essay I propose to discuss Jeff Walls philosophical statement of photography, the myth that it tells the truth and the myth that it doesnt in which Wall openly recognises the associated ambiguities of photographys systems of representation and perception. The apparent naturalism associated with the photographic medium draws a certain sense of the presence of inherent truths. However, the degree of photographic truth or indeed myth is much dependent upon the intentions of the photographer who instigates and captures the composition. The argument which Wall refers to is not a contemporary difficulty with the medium, as these debates have been circulating ever since photographys beginnings. One must however acknowledge that photographys difficulties with regard the perception of truth or myth have progressively developed as time has transgressed. This notion is in accordance with the greater availability of manipulative photographic technology which has allowed the artist greater control over any proposed outcome. Every image embodies a certain way of seeing which happens to coincides with the consciousness of mankinds individuality. Therefore it is entirely relevant to mention the importance of an awareness of the term semiotics which considers the interpretation of these visual systems which we each profess to. In order to understand the pertinence of Wal ls argument, I plan to explore and discuss the works of Wall himself in conjunction with the works of another American artist, Cindy Sherman. A key universal element of my argument will rest upon the acknowledgement of the incorporation of the multiple peoples who incur the work of photographer as it is these who create and communicate the notion of truth and myth. Whilst no definitive answer may be given regarding the statement which Wall proposes, I do however seek to trace the inner complexities which threaten the authenticity of the photographic movement. Debates concerning the notion of perception, myth and truth have been circulating ever since mankinds inception to the planet. One of the earliest documented records of this debate goes back to the 4th century BC, in which the philosopher Plato presented theories which objectify the then traditional Sophistic views of morality and reality. Plato concluded that both subjects originated from ones own objective ideals of absolute truth, of which only existed in total form in our minds and not in our conscious state of physical awareness. To put simply, Plato writes that an idealised level of truth could never be achieved in absolute terms in our daily lifestyle and that any proposed notion was strongly dependent on our own quality of self interests. From this reading I can comprehend that the notion of reality, truth and perception are all in fact manufactured perceptions based around our own terms of reference. I do view this reading as significant when related to the works of Wall and Sherman who coincidently share a communal categorisation of photographic theme, yet whose subjective visual understanding of a 20th century American society contrast greatly. Artistic intentions are developed or withdrawn in accordance with our own unique mental facets. Related to this matter, concepts of knowledge are also fiercely depend ent upon societal context and worldly experiences. Knowledge is an ever developing independent discipline as are the illusive notions of truth and myth. Theoretical research does not lead to such certainties. Usually its results are quite intangible. It leads to new ideas but ideas are uncertain and debatable. It leads to new points of view but this is not enough if we want hard and fast results. It is only if we are very lucky that far down the road theoretical research leads to what we have been looking for all along: understanding. (Greenstein, 1983, Pg.108) In order to fully comprehend the truths and mythologies of photography, it is necessary to acknowledge that each person including the viewer prescribes to a certain creative vision and that these views we profess to may not be in keeping with the genuine intentions of artist. Modernist understandings of the visual field fall under the study of semiotics which recognises that art functions as another communicative language yet does not present its meanings quiet as literally as with journalism. In the year 1978, Wall created a piece of breakthrough photography entitled The Destroyed Room which documents the disturbing repercussions following an unspeakable act of domestic violence. Jeff Wall, The Destroyed Room, 1978, Transparency in light box, 1590 x 2340 mm, National Gallery of Canada, Ottawa. The destroyed room is clearly that owning to a woman judging by its disassembled contents; strewn feminine clothes and elegant heels. Another prominent indicator of a feminine presence within the composition is the inclusion of a rather graceful and strangely intact porcelain dancer figurine upon a shaken wooden cabinet. A number of intentionally placed diagonal indicators lead our eye to this perverse female substitute which further indicates the notion that she is a universal symbol for the masked, unspoken and disturbing realities evident within the 20th century American home. But is this an accurate representation of 20th century society? Wall created the piece by recreating the theoretical elements of Delacroixs infamous work, Death of Sardanapalus which in effect offers a contemporary model of a historic reference. Eugà ¨ne Delacroix, Death of Sardanapalus, 1827, Oil on canvas. 392 x 496 cm, Musà ©e du Louvre, Paris. While strong feelings of misery, deep unhappiness and pain prevail in both these meticulously composed works it would be misleading to conclude that both works tell of the same truths. Delacroixs painted piece incorporates figurative subject matter in romanticised states of physical torment which contrast greatly to that of Walls graceful, serene figurine seeming to mask the emotional elements of violence by contrast. Wall appears to be making a mockery of Delacroixs curvilinear models through the inclusion of a cheap artificial piece confirming that Wall does not hold any desire to remit the same intentions of Delacroixs work alluding to the mythical existence of an idealised human form, implying a certain utopian view. It is also interesting to note that Walls work places a clear responsibility on the viewer to focus specifically on just one single victim of destruction as apposed to dividing our attention between a number of peoples as in the case of Delacroix. The absence of a real physical presence in Walls work is unsettling for the viewer warranting us to question the welfare of those involved moreover then Delacroixs painting. My feelings of empathy and concern are as a direct consequence of the medium of photography which further evokes the sense that this depiction of intimate violation could in fact be real to life due to the fact that many works of factual photo journalism are presented in a manner similar. I also believe that such a scene does not constitute the creation of a timely idealised masterpiece. This image is revealing of one persons view of a society but it would be a myth to suggest that it an agreeable truth for all else involved especially those who experience domestic abus e. As a viewer, I am aware that I am placing my objective thoughts on the work which may contrast with that of the practitioner and by this means I could unknowingly be creating a work of myth or indeed truth. Similarly I relate this analysis to Wall interpretation of Delacroixs work in that did Wall really take initial inspiration from the work of Delacroix or did Wall get caught up in the moment of physical chaotic creation which later seemingly related in theme to that of Delacroix? We may never know the answer but I take some comfort in my as Walls work seems an entirely abstract muted edition of the work of by contrast to his previous reworking of the work of Hokusai in A Sudden Gust of Wind (after Hokusai), In 1982, Wall created another thought provoking exposure entitled Mimic which again similar to that previously discussed, seeks to condense the negative misgivings of a contemporary culture within a single frame. Jeff Wall Mimic 1982, Transparency in light box, 1980 x 2286 mm, Ydessa Hendeles Art Foundation, Toronto. The image presented reconstructs an offensive racial gesturing witnessed by Wall between two men; a well turned out Chinese man and a roughly clad Caucasian man. Mimic presents an interesting representation of the bodily gestures which typically stereotype these nations. In the case of the Chinese man, his unobtrusive, self servient gesture presents the typical conservative gesture that I connote most to being of Eastern cultural origins. In contrast to this, the Caucasian mans middle fingered gesture presents him as being from an inflammatory type society with liberal outspoken values. Do these gestures pertain to be as accurate representations of the real and whole conditions of the cultures we reside within? No they are not truthful in this regard yet they are truthful in that they do provide a truthful momentary pictorial of an offensive gesture. I fear as a woman that I cannot abide by the social condition Wall has involved here as he positions his camera maintaining an overtly masculine presence with lessened thought given for the role of women within society. It appears as though the lady portrayed is being dragged along or perhaps slowing back deliberately denoting herself as an unwilling participant in this racial transaction as she also stares in a voyeuristic manner away from the confrontation. I would even go as far as commenting that Wall appears to connote that women share as much of an unrecognized role in 20th century American society as any other foreign emigrant would and that the Caucasian man rules over all regardless of social rank or occupation. The context in which a photograph is captured, presented thus examined constitutes a variety of iconic indexical signs. The resemblance to Mimic to that of street photography, cinematographic photography and even photo journalist photography through its successful combination of conceptual performance art qualities and also colloquial elements means that its authentic intentions are difficult to read. The museum reference given pushes us to regard the piece as an aesthetic high art object implying a enriched sense of credibility which forces us to consider its compositional qualities as well as formal aesthetic qualities in a more conscious manner which might not necessarily be the case regarding its possible inclusion in a mass consumed newspaper. Museum curators dictate the manner in which we experience interpret photography and one would most likely consider a different set of indexical signs if museum artworks were placed outside of its intended location. The placement of art may hinder its idea, yet it is the placement of art which determines the power of an artistic idea. The same argument is relevant regarding the notion of time yet it is again the power of the artists intention which will conquer all inhibitors. The meaning of a photographic image is built up by an interaction of such schemas or codes, which vary greatly in their degree of schematization. The image is therefore to be seen as a composite of signs, more to be compared with a complex sentence than a single word. Its meanings are multiple, concrete, and, most important, constructed. (Tagg, John, The Burden of Representation. Amherst: University of Massachusetts Press, 1988) The work of Cindy Sherman emphasises aspects of concurrent femininity which aspires to philosophise the changing role of the female identity in response to cultural expectations. Sherman herself manages to direct, model and capture her photographic intentions in much the same self autonomous process she seeks to explore through her works. Sherman brilliantly captures the metaphysicality of the female figure through her incorporation of diverse facial expressions, considered clothing choices and through the application of heavy make ups which in effect offer few clues to Shermans inner identity which she desires to be excluded from her works. Yet if she so heavily desires to be excluded from her works why does she use herself within her work why did she originally title her early works self portraits? I place ambiguity over Shermans desire to remain anonymous within her work I firmly believe her intentions to be a work of myth. Untitled Film Still (#96) depicts an outstretched Sherman lying rather suggestively across a domestic floor, exposing the myths which define a woman s expectations of sexual fantasy. The image promotes a certain sexual objectivity of the female body specifically through the considered placement of hand and tissue hand near her female organs. Yet I can connote a contradictory sense of imperfection, insecurity and hidden vulnerabilities through her blushed facial expression. Photographs cannot create a moral position, but they can reinforce one-and can help build a nascent one. (Sontag, 2001, Pg.9) Cindy Sherman Untitled Film Still (#96), 1981, Photograph, 60.8 x 121.8 cm, Museum of Modern Art, New York. Shermans choice of a birds eye view camera angle does not allow us to engage with the camouflaged societal location as the figure is zoomed in upon cropped forcing us to engage solely with the figure. The image is part of a series entitled centrefolds which were deliberately labelled in accordance with Shermans choice of publication layout which involves a two page spread in the middle of a magazine which sees Sherman as a sort of fetish for male readers. While the image has been labelled Untitled Film Still, it does not convey an obvious sense of the films actualities as the cropped field of view by the photographer has created an artificial sense of place in which we have no knowledge or clues of the films preceding proceeding moments. In a sense the image goes against the commonalities of film making as its lack of information forces us to narrate our own variation of the films intentions. Sherman as apposed to Wall chooses not to focus on any specific moment but rather the amal gamation of a number of common episodes which she has encountered through the media which in effect creates a work which may remain true to Sherman herself but seems false overtly clichà © for the viewer. It would be a grave mistake to label these images as obsolete due to their supposed level of artificiality as they do communicate a level of truth and more importantly a message which causes us to question learn from our own lives misgivings. None of the images I have discussed are inherently better than the next because of its determined or undetermined levels of truth myth. One could almost say that Wall works were more morally truthful as he seeks to reissue a lived moment yet the actors he positions could not possibly be feeling the raw emotions that the initial experience entailed. And the same is true of Shermans work in that she is just re-enacting another persons portrait. The photographers way of seeing is reflected in his choice of subject. Every image embodies a way of seeing; our perception or appreciation of an image depends upon our own way of seeing. (Berger, 1973, Pg.10)

Wednesday, November 13, 2019

Draculas Love Story Essay -- Essays Papers

Dracula's Love Story Bram Stoker’s Dracula is the title of Francis Ford Coppola’s film adaptation of the classic novel Dracula. Coppola signified that the film would stay with the original plot and theme from the novel by putting the author’s name in the title of the film. However, even though he claims that his film is patterned after the novel, Coppola still could not help but put his own twist on the novel by sensualizing the story and adding a love story between Dracula and Mina. By adding a romantic subplot, Coppola makes the viewers feel sympathy for the evil Dracula when he is finally killed at the hand of his loved one. Also, the character of Mina turns from heroine in the novel to victim in the movie by having her fall in love with Dracula. Coppola changes the original story of Dracula in the film adaptation in many ways by the addition of a love story between Dracula and Mina. In the film adaptation of Dracula, the origins of the title character are explained to provide a motive for the love obsession between the title character and his lover. In the film, Dracula is said to be the notorious prince of Romania known as Vlad the Impaler. This idea stems from a theory that Bram Stoker actually patterned the character of Dracula after a real prince of Romania named Voivode. The movie shows that after a very bloody battle in 1463 against the Turks, Prince Vlad came back to his castle in Transylvania to find that his adored Elisabeta (played by Winona Ryder) had committed suicide. Dracula says, â€Å"I, Dracula, Voivode of Transylvania, will arise from my own death to avenge hers with all the powers of darkness!† He condemns God and makes a pact with the devil to become immortal by feeding on other ... ...f Dracula’s birth into the world of the undead lays the foundation for the love affair between Dracula and Mina. However, the love story changes the characters of Dracula and Mina drastically from the novel. In the film, Dracula is a character with whom the viewer sympathizes while in the novel he is feared. Mina’s character is strong willed in the novel while in the film she is weak and pathetic. Coppola’s adaptation destroys the characterization of the novel, taking away from Stoker’s image for the novel. The movie, instead of being titled Bram Stoker’s Dracula, should have been titled "Francis Ford Coppola’s Dracula". Works Cited Bram Stoker’s Dracula. Dir. Francis Ford Coppola. Perf. Gary Oldman, Winona Ryder, Keanu Reeves, and Sir Anthony Hopkins. Columbia TriStar Home Video, 1992. Stoker, Bram. Dracula. New York: Penguin Books, 1993.

Monday, November 11, 2019

A Good Parent

A Good Parent How to be a good parent? During this period, raising children is the most difficult job in the world. But to be a good parent will teach them to become a nice person. So the most important quality of a good parent is being responsible for their children. There are several qualities of a good parent. The three most important qualities of a good parent are express love, helping your children feel safe, and spending a time with your children. The first quality of good parents is express love. A good parent should tell their children that they love them every day.For example, they express their love by giving lots of hugs and some kisses. A parent should give them more attention and love. Because many children look for this kinds of favor from parents. If a parent expresses love to them then they will get along with their parents. They will start communicating and tell everything to you. Try to love your children completely do not force them to love you. They should be in o rder to earn your love. For example, let them know that you will always love them no matter what. The second quality of good parents is helping your children feel safe. A good parent should give children some privacy and respect.For example, if you teach them that you can come to ours room but stay out of line. Also teach them if you enter someone’s room then you cannot look through theirs drawers or read their diary. Do not argue with your spouse while they are sleeping. Because sometimes children may feel worried and scared. So from this they can learn to argue with someone. Therefore show them that when someone argues with them then they can discuss their differences peacefully. A good parent should set boundaries. For example, bedtimes, and curfews so they know that parents care and try to make feel safe by the boundaries.The third quality of good parents is spending a time with your children. It is necessary for parents should spend time with children. A parent should ta ke some time from work and spend time with them by attending a school function, do homework with them, and visit their teacher at the open house. If a parent spends time with children they will love it and they will remember that my parents attended my school function. Spend time with children thirty minutes every day. Try to spend time during dinner and talk big and small problems with them. Try to go out for blowing, plan a vacation, a visit to grandparents, and many more things.By spending time with them they will try to communicate more and tell every big or small problem with you. They also start caring about you and give more respect. The most important thing is to try to forget your job work when you come home. Spend time with your children as much you can. In short, there are several qualities of a good parent. The three most important qualities of a good parent are express love, helping you children feel safe, and spending a time with you children. (need to add final commen t in conclusion otherwise everythings is prefect)

Saturday, November 9, 2019

Why I am studying engineering

Why I am studying engineering Engineering is an area of study that has transformed the lives of humans in this world since nearly all things that make life worth living, from leisure activities to medical treatment, require aspects of this field of study. Because it adds value by means of realization of the technological progress, it has a major impact in the day-to-day lives of the majority of us. Advertising We will write a custom essay sample on Why I am studying engineering specifically for you for only $16.05 $11/page Learn More In a limited period, it has transformed the way we have been looking at things in the past and it is inevitably going to shape our future for years to come as the world continues to advance in knowledge and science. Engineers belong to one of the respected professions in the world today and I want to part of this awesome team. Engineering has been my passion since the days I was a child. When I was on holiday, I used to pay a visit to my uncle, who is an ele ctrical engineer. He could teach me advances in technology and I was usually enthusiastic to hear more from him. My parents introduced me to computers at the tender age of five. From then, my love for electronics has been blossoming year after year. My choice to enroll in this engineering class is not a shock to those who know me, as some of them have mockingly referred to me as â€Å"the engineer.† Studying engineering will also give me the flexibility and choice I need as I pursue my education. This field of study offers several choices that are all exciting and are in high demand in the job market; therefore, this is a great choice that I have made since it will open up many paths for the future. In addition, since engineering trends have greatly benefited the society, I want to part of these team who strive to make life comfortable for everybody. Enrolling in this class has several advantages to me. First, I will benefit from intellectual growth. Since studying this cou rse will compel me to work on several transferable skills, it will enable me to grow and improve my ways of thinking. Moreover, I will learn different topics apart from engineering per se; therefore, having more useful skills will further develop my problem-solving and critical reasoning as a person. Second, every person likes a good challenge, to some degree, as life would lack meaning if there were no challenges to be tackled. Engineering is a challenge since I will encounter fascinating problems that need my creativity and logical reasoning in solving. In the real world, challenges do not have the correct answer, thus the engineering challenge will adequately equip me for this.Advertising Looking for essay on other technology? Let's see if we can help you! Get your first paper with 15% OFF Learn More Although I intend to learn more about engineering in this class, I know some things about the subject. Engineering, as the technical improvement of products by finding the solution to complicated technological problems, entails the knowledge of mathematical and natural sciences gained by study, experience and study, and this knowledge is what is being applied with judgment and creativity in the technical improvement of products. I also know that engineers work through the application of the concept of modularity, that is, splitting a big problem into a set of smaller problems, for developing engineering designs so as to minimize the chances of not achieving anything.

Wednesday, November 6, 2019

Human Geography - an Overview (Cultural Geography)

Human Geography - an Overview (Cultural Geography) Human geography is one of the two major branches of geography (versus physical geography) and is often called cultural geography. Human geography is the study of the many cultural aspects found throughout the world and how they relate to the spaces and places where they originate and then travel as people continually move across various areas. Some of the main cultural phenomena studied in human geography include language, religion, different economic and governmental structures, art, music, and other cultural aspects that explain how and/or why people function as they do in the areas in which they live. Globalization is also becoming increasingly important to the field of human geography as it is allowing these specific aspects of culture to easily travel across the globe. Cultural landscapes are also important because they link culture to the physical environments in which people live. This is vital because it can either limit or nurture the development of various aspects of culture. For instance, people living in a rural area are often more culturally tied to the natural environment around them than those living in a large metropolitan area. This is generally the focus of the Man-Land Tradition in the Four Traditions of geography and studies human impact on nature, the impact of nature on humans, and peoples perception of the environment. History of Human Geography Human geography developed out of the University of California, Berkeley and was led by Carl Sauer. He used landscapes as the defining unit of geographic study and said that cultures develop because of the landscape but also help to develop the landscape as well. In addition, his work and the cultural geography of today is highly qualitative rather than quantitative - a main tenant of physical geography. Human Geography Today Today, human geography is still practiced and more specialized fields within it such as feminist geography, childrens geography, tourism studies, urban geography, the geography of sexuality and space, and political geography have developed to further aid in the study of cultural practices and human activities as they relate spatially to the world.

Monday, November 4, 2019

Reflecting on what Amal tells us, discuss the ways in which Map of Essay

Reflecting on what Amal tells us, discuss the ways in which Map of Love comments on the following common assumptions about gender relations - Essay Example Some things have not changed, and this is evident in the gender roles that are discussed in the context of both British and Egyptian society. The Map of Love is a story of love written by a woman, as only a woman could tell it. Never lacking in emotion or intrigue, the book shows that history can repeat itself in strange ways. It is the story of two tales of love, about a century apart. Going back to 1901, we see that Anna Winterbourne has been recently widowed and is strangely attracted to an Egyptian nationalist by the name of Sharif Pasha Al-Barudi. At the time the Middle East was under British control. The ever dutiful Anna had been relegated to a life at home while her husband was stationed in Sudan. When he develops a sickness and cannot be nursed back to health, she becomes despondent and melancholy. Despite her best efforts, she finds a chasm between them which she cannot reduce, and ends up blaming herself†¦Ã¢â‚¬  if she had loved him better, perhaps he would have not needed to go to the Sudan. If she had understood him better, perhaps she could have nursed him back to health† (Souief, 2000, 41). The Victorian rules and attitude show that the woman’s place in the British household of 1900 was not far from that of a rudimentary society such as Egypt. No wonder she decides to travel to a new and distant country in search of adventure, and in the process is attracted to the young and robust nationalist. It is an escape from a life of emptiness and drudgery. This Victorian despondency is also seen in Charlotte Parker Gilman’s ‘The Yellow Wallpaper’ and Kate Chopin’s ‘The Story of an Hour’- but each chooses to deal with it in an entirely different way. Moving forward to the present, we see that Isabel too has fallen in love with Amal’s brother Omar but he is not reciprocating his thoughts or feelings. Aware of his Arabic traditions, he prefers to send Isabel to his sister Amal rather than help

Saturday, November 2, 2019

Global economy Essay Example | Topics and Well Written Essays - 2500 words - 1

Global economy - Essay Example Nevertheless, the end of 2010 was marked with the U.S.’s decision to throw additional money into the domestic economy, to encourage economic growth and slow down the economic downturn. Controversial and radical, the decision to apply to quantitative easing became one of the most actively discussed issues in economics. That quantitative easing has far-reaching implications for the domestic and global economy cannot be denied, but its role in the development and expansion of the positive economic growth is yet to be defined. At the end of 2010, the Central Bank of America announced its decision to pump up additional $600bn into the domestic economy (Elliott & Inman 2010). The decision to use quantitative easing mechanisms was justified by the failure of the American federal authorities and the Fed to accelerate economic growth, encourage lending, and reduce unemployment (Elliott & Inman 2010). It should be noted, that the past recession became the worst economic downturn in Amer ica and the rest of the world since the Great Depression (Elliott & Inman 2010). As a result, traditional instruments of economic recovery failed to improve the situation. Quantitative decision for the U.S. was similar to the instrument of last resort, when there is nothing else the Fed can do to alleviate the burden of economic problems within the country. As part of its strategy, the Fed would purchase long-term Treasury bills every month, until the middle of the year, totaling to $75bn (Elliott & Inman 2010). The United States claims that quantitative easing is simply inevitable, when the state wants to preserve â€Å"ultra-low† interest rates for an extended period, thus keeping the amount of the borrowing costs unchanged for at least two years (Elliott & Inman 2010). The principal intentions of quantitative easing are but positive. The reality, however, is not as bright as economic theory tries to create it. Even if quantitative easing has a potential to support relative stability in the U.S., it may have damaging and even fracturing effects on the global economy. It should be noted, that economic theory treats quantitative easing as â€Å"the central bank’s asset purchases that are designed to inject money directly into the economy to raise asset prices, boost spending and so keep inflation on track to meet the 2% target† (Ganley 2010). The most probable sources of additional assets for the Central Bank include â€Å"insurance companies, banks and non-financial institutions, pension funds and firms† (Ganley 2010). Such injections directly into the economy are justified by the rapid contractions in the amount of spending that follow global financial crises (Ganley 2010). More often than not, quantitative easing is used to stop price deflation and encourage real output (Ganley 2010). The history of quantitative easing dates back to the beginning of the 1990s, when Japan found itself in the midst of a deep economic and financial crisis (Kurihara 2006). â€Å"The development and implementation of the zero interest policy had to encourage economic recovery but did not produce any real effect on the economic development in the country† (Kurihara 2006). Quantitative easing was introduced to initiate long-term economic growth in Japan. Unfortunately, and after so many years of economic recovery and growth in Japan, whether quantitative easi